The Daily Roots….. Down a Folk Music Rabbit Hole

A Random Album Pick – The Kingston Trio – Nick Bob John

This morning I randomly picked out an album from a crate of vinyl that was near me. The album was The Kingston Trio‘s album Nick-Bob- John. Released in 1964, the album was their first recording on the Decca label. The trio was extremely popular from 1958 through 1963 There first 5 albums peaked at No. 1 on the charts and were certifed Gold Records.. That explains why their albums are so numerous at Goodwills.

When I first realized that good albums could be found at Goodwills I started to search out folk music from the 1950s and 1960s. And The Kingston Trio albums were the easiest to find. I found this album interesting because by this time John Stewart had joined the trio.

The First Spin

I put the album on and started to do write a blog post. The first song was “Midnight Special” a song I have heard countless times over the years. My ears really perked up when I heard the third song “Someday Soon” an Ian Tyson song that has been covered by many of my favorite artists. My favorite cover though is by Judy Collins!

Down the Folk Music Rabbit Hole

Then came “Gotta Travel On” and this is when the ground started to split and a rabbit hole emerged! When I first went to Google to find out more about the song I saw a result that said Gotta Travel On words ad lyrics by Bob Dylan I thought that’s not right. When I looked back at the back of the album I saw that the songwriter was Paul Clayton.

Now that makes sense Clayton was very active in the early folk scene in Greenwich Village and I knew Dave Van Ronk had written about him in Van Ronk’s he Mayor of MacDougal Street

So I searched Google for info on the relationship between Van Ronk, Clayton and Dylan.. Here’s what i found out

Further Down the Folk Music Rabbit Hole…….

Traveling on with The Weavewrs sent me further down the folk music rabbit hole

Next, I discovered that the song went back a long way and that while some say The Kingston Trio introduced the song. However, The Weavers had actually recorded it several years earlier. The sent me down the rabbit-hole to find my Weaver albums to see if I had one with “Gotta Travel On”. Bingo! And it’s even in the slightly referenced in the album title Travelin’ On with the Weavers. The song ends the album! Here’s What they wrote about the song.

Here again was the fragment of a song with an appealing rhythm we wanted to preserve. We wrote new lyrics to tell a lonesome tale: who has not felt.

What the Liner Notes Taught Me

Finally, when I pulled out the Weaver album I also pulled out The Weavers Greatest Hits. When I looked at the songs I recognized the majority of them including the likes of: “Kisses Sweeter Than Wine” “Wimoweh” and “Rock Island Line” Hey is that the Johnny Cash song? Yep.

Anyway I saw that many of these songs were written by Paul Campbell. and Kisses Sweeter than Wine and Rock Island Line were written by Paul Campbell and Joel Newman. Who were these songwriters??? Off again to Google, etc

Paul Campbell is a pseudonym used by The Weavers (Pete Seeger, Lee Hays, Fred Hellerman, and Ronnie Gilbert) between 1948 and 1953 to copyright their arrangements of traditional folk songs. It allowed the group to claim songwriting credit for adapted material, such as “Kisses Sweeter Than Wine”

Now the question is who is Joel Newman? The answer Huddie Ledbetter aka Lead Belly.

Another of the things I learned from the liner notes on Travelin’ On with the Weavers involved “Kumbaya.” When they first encountered it, all they had was the word “Kumbaya,” brought back from Africa, and a rhythm that sounded like a lullaby. So they wrote it as a lullaby.

All of this from pulling one random album off a shelf.

A Folk Music Rabbit Hole Playlist

Stan Rogers Anchors a Canadian Style Folk Friday

Folk Monday kicked off with Endless Wire spinning on the turntable — Gordon Lightfoot sounding as warm and familiar as ever. Something about Lightfoot always puts me in a good place, and today it set off a whole chain reaction.

While the album played, I started revising older posts, and the first one that surfaced was my write-up on Dave Gunning’s Lift. I’d forgotten how much I liked that record — and how many East Coast voices Gunning pulls into his work. Here’s the updated post if you want to take a look:

👉 Link to the Dave Gunning / Lift post

All that got me thinking…

The Canadian Connection

Lightfoot led to Gunning, and suddenly I realized how many Canadian voices have shaped my listening over the years. They’re not all alike, but they share that same mix of storytelling, heart, and wide-open Northern landscapes:

  • Gordon Lightfoot – the foundation
  • Dave Gunning – modern East Coast voice with Stan Rogers’ storytelling DNA
  • Ian Tyson – I may need to pull out Cowboyography next
  • James Keelaghan – one of the finest storytellers working today
  • Stan Rogers – I knew I had one of his albums somewhere… turned out to be two

And just like that, I was all the way down the Canadian folk rabbit hole — the good kind — which led naturally to putting Stan Rogers on the turntable next.

By this point, I was fully down the Canadian folk rabbit hole — the good kind.

Stan Rogers First on the Turntable

Fogerty's Cove - Stan Rogers

Once I dug a little deeper into my shelves, I found the two Stan Rogers albums I’ve picked up over the last couple of years. First on the turntable: Fogarty’s Cove.

Fogarty’s Cove was Stan’s debut, released in 1977 on Barnswallow Records — a label he later purchased and turned into Fogarty’s Cove Records. My copy is the 1979 pressing on that very label, which feels just right for the music.

While the needle dropped, I realized I never really knew how young Stan was when he died — only that I’d heard Gene Shay mention it years ago. A quick stop at Wikipedia filled in the gaps:

About Stan Rogers

Before his death in 1983, Stan — with his brother Garnett often co-producing — released five albums. He stayed a staple of the folk community long after, with live releases, tribute concerts, and, of course, the annual Stan Rogers Folk Festival up in Canso, Nova Scotia.

Listening again, it’s easy to be reminded why Stan’s music has stuck around. His baritone, that hint of Celtic phrasing, the DADGAD-tuned guitars — and the songs themselves. “Northwest Passage,” “The Mary Ellen Carter,” “White Squall,” “Make and Break Harbour”… they all still land.

Barrett’s Privateers – from Fogerty’s Cove – Stan Rogers

But the one that always leaps out, no matter how many times I hear it, is “Barrett’s Privateers.” Before I wander any farther down this Canadian trail, here it is — the perfect way to wrap up this Rogers detour.as Remembering Stan Rogers, which peaked at number 36 on the RPM Country Albums chart.

If the day stays at this pace, who knows where I’ll end up — maybe ending the night with Tyson’s “Four Strong Winds” or Keelaghan’s For now, I’m calling this the first stop on what’s turning into a full-on Canadian Folk Monday. I’ll circle back soon with Tyson, Keelaghan, and maybe a few vinyl surprises I dig out of the stacks.

Folk Music Rotation – Week of July 7, 2025

Orinally Posted Under Folk Monday Now Located Under Folk Friday

Each Monday, I survey the Folk Music Charts and pick the albums I’d like to listen to over the rest of the week. I give each one a quick listen — sometimes just a few seconds is enough to know it’s for me. Sometimes it takes a track or two. I always hope to find a few old friends and a few brand new discoveries.

Here is this week’s Folk and Americana rotation. I’ve found new music from six artists that are new to me, plus six from musicians already in my library.

Six Newly Discovered (by me) Musicians and Their Most Recent Albums Added to My Folk Monday Music Rotation

  1. Dark Traces leads off the Folk Monday Music Rotation for July 7,2025
    Delta Traces
    – Billy Jeter (RMR #9)
    First thing that caught me was the first track, “Hambone Stomp” — Bobby Rush’s harp hooked me!
  2. Middle – Jesse Wells (RMR #12)
    The lyrics in the opening track sealed the deal. Deep, poetic, and timely. This guy is for me:

    All my flannels made in Bangladesh
    All my T-shirts in Vietnam
    There are places that we quietly ignore
    There are places that we go and bomb
    You know I thought an awful lot about Jesus
    Even more about Lao Tzu
    They say that the way of the Tao is to do nothing
    Then what the hell am I supposed to do?


  3. Shelby Means – Shelby Means (RMR #18)
    Great vocals with great pickin’ — what’s not to love?
  4. Beautiful Thing – Peaches & Quiet (RMR #20)
    The second track, “Calgary Skyline,” caught my attention — they’re Canadian? I immediately thought of Ian & Sylvia.
  5. You Never Can Tell – Diane Hubka & The Sun Canyon Band (RMR #29)
    Any album that starts with covers of Guy Clark and Bob Dylan deserves a full listen. What else do they pull off?
  6. Dime Store Mannequin – Son Stone (RMR #39)
    The opening track “Old Fashioned” grabbed my attention with its raw, confessional lyrics:

    You told me I was repulsive when you met me at the bar
    Then you pulled me in and kissed me hard and drove me home in your car
    By the morning you′d forgotten my name and I’d forgotten yours
    Then you pushed me out of bed and kicked me out your door

    You ask me for the reasons why and push comes to shove
    Well there′s an Old Fashioned recipe for our love
    You only love me for my guitar playing and I love your southern drawl
    Our love is one part passion and three parts alcohol…


Bonus Pick: Songs for a World Gone Mad – Mark Rubin, Jew of Oklahoma (FAI Folk Chart #6, May 2025)
I couldn’t pass up an album with a title like this one — found it via the Folk DJ List.

Six New Albums from Musicians in My Music Library Find Their Way into My Folk Monday Music Rotation

  1. Field of StarsJohn McCutcheon
  2. Dark Ages – Eliza Gilkyson (RMR #8)
  3. Bones of Trees – Tim Grimm (FAI Folk Chart #1, May 2025)
  4. The three albums above are from old favorites I’ve followed for years. Each of them has a thoughtful new offering to explore.
  5. Backstage Balladeer – Jefferson Ross (FAI Folk Chart #27, May 2025)
    If I didn’t write about Jefferson Ross on No Depression years ago, I meant to! Glad to see he has a new release.
  6. The Herculeons – John Cowan & Andrea Zonn (FAI Folk Chart #40, May 2025)
    John Cowan and New Grass Revival were staples in my rotation — I had to check out this new project with Andrea Zonn.
  7. Arcadia – Alison Krauss & Union Station
    Time to dig out my cassette copy of her first album and do a full-circle listen!

*Folk Alliance International FOLK CHART – May 2025

Compiled from FOLKDJ-L playlists | 10,531 plays from 359 playlists by 102 Folk DJs

🎧 Stay tuned for ratings, brief notes, and links to reviews for my top picks this week.


Suggestions welcome — let me know who I should listen to next Monday!

 

Steve Goodman’s Debut Album: Steve Goodman (1971) – A Soundtrack for My Life!

Steve Goodman’s Debut Album Became a Soundtrack for My Life!

I first discovered the magical, funny, and poignant music of Steve Goodman back in 1971, when his self-titled debut album came out. At the time, I was a student at the University of Florida — so I don’t think I heard about him from Gene Shay’s folk show in Philly. I’m pretty sure it was the liner notes on the back of the album that pulled me in. That’s where I read this from John Prine:

I been listening to the radio since I was nine years old. I figured I could see songs better than most people listen to them. The first time I heard Steve Goodman on the radio, I knew I was listening to a tall skinny cat with a little beard singing the best damn train song I ever heard. Two months later, in the back room of The Earl of Oldtown, I met a short stout fellow with no beard who wrote and sang the best train song I ever heard. His name was Steve Goodman. The Lord works in mysterious ways.
– John Prine, 1971

Since I had already discovered John Prine, that quote alone would’ve been enough to sell me on the album.

A Who’s Who of Folk and Country Greats

But wait — there was more. A who’s who of American folk and country players were listed on the back cover. The lineup included:

  • Bob Dylan – piano on “Election Year Rag”
  • Kris Kristofferson – backing vocals
  • John Prine – backing vocals
  • Vassar Clements – fiddle
  • Charlie McCoy – harmonica
  • David Briggs, Kenny Buttrey, Norbert Putnam – Nashville A-Team players
  • Also: Grady Martin, Ben Keith, Donnie Fritts, Martha McCrory, and a full brass section!

I already knew Dylan, Kristofferson, and Prine — and I recognized names like Vassar Clements and Charlie McCoy. I figured even if I didn’t love the songs, the music would be top-notch.

Spoiler: I loved the songs too.

🎶 My Favorite Tracks from Steve Goodman’s Debut

While I love all the songs on the album, Side Two was the one I played the most (yes, I think everyone always had a favorite side on an album). Here are six of my favorite songs from Steve Goodman (1971):

Side One

  • The I Don’t Know Where I’m Going But I’m Goin’ Nowhere in a Hurry Blues
    This one pops up in the jukebox in my head all the time. “It was on a Sunday morning about a hundred years or so…”
  • Donald & Lydia
    A beautiful, heartfelt cover of the John Prine original.
  • You Never Even Call Me By My Name
    Later made famous by David Allan Coe — but this is where it started.

Side Two

  • City of New Orleans
    The “best damn train song” Prine ever heard. And one that helped define Goodman’s legacy.
  • Turnpike Tom
    Another one that’s always in my mental jukebox — I just love the story.
  • Yellow Coat and Would You Like to Learn to Dance
    These show Steve’s softer, tender side. Both are among my favorite ballads by anyone.

Who Was Steve Goodman?

Steven Benjamin Goodman (July 25, 1948 – September 20, 1984) was a folk and country singer-songwriter from Chicago. He wrote “City of New Orleans,” co-wrote “You Never Even Called Me by My Name,” and penned the Chicago Cubs anthem “Go Cubs Go.”

Goodman passed away from leukemia in 1984, but left behind one of the most enduring catalogs in American folk music.

Links For the Further Exploration of the Music of Steve Goodman

AllMusic

Facebook – Fans & Friends

Wikipedia

Amazon

🎧 Listen to Steve Goodman’s Debut Album Playlist

This album has been part of my life for over 50 years. Every time I hear one of these songs, I’m back in Gainesville, with the volume up and the liner notes wide open.

Doc Watson – Elementary Dr. Watsonn – Always a Joy!

Doc Watson - Elementary Doctor Watson

Roots: Doc Watson – Elementary Doctor Watson

Doc Watson is one of the foundations of my folk music library.
The other night, I revisited one of my favorite Doc Watson albums:
Elementary Doctor Watson.

Doc Watson was an essential part of the 1960s Folk Music Revival.
From Wikipedia:

Biographical Information
Arthel Lane “Doc” Watson (March 3, 1923 – May 29, 2012) was an American guitarist,
songwriter, and singer of country and gospel music.
Watson won seven Grammy Awards as well as a Grammy Lifetime Achievement Award.
His fingerstyle and flatpicking skills, as well as his knowledge of traditional
American music, were highly regarded.

Blind from a young age, he performed with his son, guitarist Merle Watson,
for over 15 years until Merle’s death in 1985 in an accident on the family farm.


Elementary Doctor Watson (1972

I can’t remember which I bought first—The Essential Doc Watson (1973)
or Elementary Doctor Watson (1972)—but after 50 years,
it doesn’t really matter. Both albums became cornerstones of my collection.
Essential pulled from his Vanguard recordings,
while Elementary was his first on the Poppy label.

This album has always been a “go-to” whenever I need a lift.
The opening track, “Going Down the Road Feeling Bad”,
instantly puts a smile on my face. Then comes a heartfelt cover of Tom Paxton’s
“The Last Thing on My Mind”, and by the time I hit
“Freight Train Boogie”, I’m all in.

The bottom line: Elementary Doctor Watson is a
terrific album. I never lose my awe watching Doc play—he makes it all look effortless,
and he did it blind. Simply amazing!


Other Favorite Doc Watson Albums

  • Lonesome Road (1977) – with Merle Watson
  • Doc and Merle Watson’s Guitar Album (1983)

Note to self: give these a spin soon!

All told, Doc recorded 38 studio albums and 16 live albums,
along with 23 compilation releases. His music is timeless—check him out!


Links for Further Exploration


Doc Watson – “Going Down this Road Feelin’ Bad”

Helpimg out on this performance are the great Tony Rice, Dan Crary Steve Ksufman and Jack Lawrence

Ed Romanoff’s Self-titled Debut Album is a Winner

Ed Romanoff - Ed Romaoff Album

Ed Romanoff – Ed Romanoff

.So when I listened to “St. Vincent De Paul.” the first track on Ed Romanoff‘s self-titled debut album for the second time on my four mile run tonight, it reminded me of Mary Gauthier‘s album The Foundling. Wait you listened to the song twice! I thought this album must be very short! But,  no the run was really long! The  ten track album clocks in at about 40 minutes, at which point, I was still a little way from my finish and was struggling along at about 11 minute per mile pace

Now back to the music! There’s a reason that the song reminded me about Gauthier’s album. Well, that’s because it appeared on Mary Gauthier’s album The Foundling. Ed wrote the song after he accompanied Mary to the orphanage where Mary had been left on the day she was born!  After the trip, they became good friends, subsequently, Ed at Mary’s request joined her on the road as a sideman, writing partner, and later in taking a DNA test. Mary wanted to learn more about her biological past, but Ed got the shock! In taking the test, Ed found the father he grew up with was not his biological father. “Sometimes you write a song and sometimes it writes you back,” he says.

About Ed Romanoff

Now this a great collection of well-crafted songs about life, the good and the bad. It’s not really a pick me up album. However, I think, the album was a good pick for today’s run. What did I say the other night? ” misery loves company” Well, I needed the company tonight because my left leg was giving me misery!  But because I was going so slow, I was able to focus on the music rather than the pain in my leg and there was alot to pay attention to:

There’s a song about unrequited love  “Breakfast for one on the 5th of July” , one about the disappearance of a  man on a winter’s day “Lady Luck”, and the random shooting of a man and woman necking in a car, “Yellow Rose”. He made it, she didn’t. See not much to put you in a good mood there, is there.

“I Must Have Done Something Right” is the one somewhat humorous song on the album. In the song a guy recalls all the terrible things he’s done to his best friend. However, somehow the friend remains loyal through it all. All included: that night I slept with your sister/You know I meant to keep that a secret”

The album has been on all the charts. It’s currently No 12 on the Euro-Americana Chart and No 22 on the FAR Chart. In addition, Ed was the 1st place winner in the lyrics category of the 2011 USA Songwriting Competition.  “Breakfast for One on the 5th of July” was the winning song.

Crit Harmon produced the album. Harmon has worked with: Martin Sexton, Lori McKenna, and Mary Gauthier. Josh Ritter, Tift Merritt, Meg Hutchinson, and Mary Gauthier provide harmony vocals on the album!

So once again the run was tough, really the pits, but the music was great! Here’s a performance of the award winning “Breakfast for One on the 5th of July”

“Up in the Old Hotel” with Tom Russell. Cue up Wikipedia!

Tom Russell’s release Folk Hotel has been in my music rotation for a week or so now,
and I like the album more and more each time I listen to it.
There are few songwriters whose songs send me to Wikipedia to look up references the way Tom’s does.
In fact, I was sent scurrying on the first track: “Up in the Old Hotel.”

The first reference I chased was Joseph Mitchell,
whose ghost wanders the halls of Tom’s Folk Hotel. Here’s what I found:

Joseph Mitchell and Up in the Old Hotel

(July 27, 1908 – May 24, 1996) was an American writer best known for his work in
The New Yorker. He wrote careful portraits of eccentrics and people on the fringes of society,
especially in and around New York City.
His book Up in the Old Hotel collects the best of his writing for The New Yorker.
Mitchell’s last book was Joe Gould’s Secret (1964).
From 1964 until his death in 1996, Mitchell went to work at his office daily,
but never published anything significant again.
Read More

Dylan Thomas and the Hotel Chelsea

The second reference in the song points to the death of poet Dylan Thomas and his infamous final days:

On 3 November 1953, Thomas spent the day drinking in New York.
He returned to the Hotel Chelsea declaring,
“I’ve had 18 straight whiskies. I think that’s the record!”
Later that week, he fell gravely ill and was admitted to St. Vincent’s Hospital,
where he died on 9 November 1953 of acute alcohol-related complications.
Read More

One Song, Countless Stories

I love that about Tom Russell’s songs. One verse can send me looking up a writer I’d never heard of, while the next leads me to a poet, a painter, or some forgotten corner of American history. His songs aren’t just stories—they’re invitations to keep exploring.

I’ll have more to say about Folk Hotel in another post, but for now I’ll leave you with Tom performing “Up in the Old Hotel.”

More Tom Russell Stories

If you’d like to read more about one of my favorite songwriters, continue with:

  • Folk Monday: Old Friend Slaid Cleaves and Tom Russell – How Mesabi first entered my music rotation and led to plans for a special concert.
  • Tom Russell Live at Jammin’ Java – My memories of seeing Tom and Thad Beckman perform many of these songs live in an intimate setting.

Phil Ochs and the States of Nixon and Trump -Still Relevant!

Daily Roots will be a recurring feature of this site. It is a a way of revisiting music, books, and ideas that first took hold decades ago — not out of nostalgia, but because some things refuse to stay in the past. This felt like the right place to begin, because Phil Ochs wrote songs that keep rewriting themselves every time history circles back on itself.

This post was originally written in 2017 during the first Trump administration but it’s even more relevant here in 2026!

Phil Ochs and “Here’s to the State of Mississippi “

As I have watched the unfolding of the events surrounding the President over the last few weeks the similarities to Trump and Nixon get stronger every day. These similarities led me to the songs of Phil Ochs. Well at least to one song “Here’s to the State of Mississippi”

Way back in the mid-60s during the height of the Civil Rights struggle many people were aghast at the actions of the people of Mississippi. Folksinger Phil Ochs responded through song and wrote the classic “Here’s to the State of Mississippi”. In the song Ochs sang….

Here’s to the state of Mississippi,
For underneath her borders, the devil draws no lines,
If you drag her muddy river, nameless bodies you will find.
whoa the fat trees of the forest have hid a thousand crimes,
the calendar  is lyin’ when it reads the present time.
Oh here’s to the land you’ve torn out the heart of,
Mississippi find yourself another country to be part of!….

Complete Lyrics Here

Updating the Song “Here’s to the State of Richard Nixon”

Fast forwarding several years and Phil needed to update the song and change Mississippi to Richard Nixon. In updating the song he added a new versus just for Tricky Dick…..

And here’s to the government of Richard Nixon
In the swamp of their bureaucracy
They’re always bogging down
And criminals are posing
As advisors to the crown
And they hope that no one sees the sights
And no one hears the sounds
And the speeches of the president
Are the ravings of a clown

Complete lyrics Here. Here’s Phil performing the song……

Hmm, seem like any government we may know??? Yep! Old Tricky Dick and Donald are like twin sons of different mothers!!

And Now – Here’s to the State of Donald Trump

While I was searching YouTube for Phil’s version of the song I can across this updated version of the song. It includes verses for Steve Bannon and Jeff Sessions along with dear Donald! Enjoy!

And after 50 plus years the question remains “why do Republicans hate poor people?”

About Phil Ochs

Philip David Ochs was an American songwriter, protest singer, and political activist. Ochs was known for his sharp wit, sardonic humor, and political commentary. He wrote about 200 songs in the 1960s and 1970s and released eight albums. Wikipedia

Born: December 19, 1940, El Paso, TX

Died: April 9, 1976 (age 35 years), Far Rockaway, New York, NY

Spouse: Alice Skinner (m. 1962–1976)

Parents: Jacob OchsGertrude Phin Ochs

Siblings: Michael OchsSonny Ochs

 

James Keelaghan – House of Cards Another Winner!

House of Cards - James Keelaghan

James Keelaghan is one of those artists whose music I love that often gets lost in the shuffle. His album House of Cards was released back in 2009 and, for the longest time, wasn’t available on Rhapsody or Napster. The other day I finally found it on Rhapsody, and James has another winner!

2026 Update:

Looking back more than fifteen years later, I still think House of Cards ranks among Keelaghan’s finest albums. Revisiting it reminded me just how timeless his storytelling is and why he remains one of my favorite Canadian singer-songwriters.

About James Keelaghan

Keelaghan is another of my many Canadian favorites. He was born in Calgary but now calls Winnipeg home.

He is a Juno Award winner, and many of his songs have a historical basis. “Kiri’s Piano” tells the story of the internment of Japanese Canadians, while “October ’70” was inspired by the FLQ Crisis in Canadian history. Other songs, such as “Cold Missouri Waters,” take listeners south of the border, recounting the story of the 1949 Mann Gulch Fire in Montana.

For me, Keelaghan is the complete package: a rich baritone voice, strong guitar work, and, above all, exceptional storytelling. One of my longtime favorites is “Number 37,” a wonderful song about a young woman and her horse competing in a rodeo.

Keelaghan says this about his songwriting:

“I’ve always had the urge to write,” says the Calgary native who has been calling Winnipeg home for the past few years. “Some things weren’t being said in the way I wanted to say them. Some things were not being written about at all. That’s why I started to write the historical material. That led me to writing my own personal narratives as well.”

He lists his influences as:

Early on: traditional Irish and English ballads, Liam Clancy, Ewan MacColl, sprinkled with Led Zeppelin, Santana, Neil Young, Jesse Winchester, Joni Mitchell, Bruce Cockburn, and Valdy. This was followed by Captain Beefheart, The McGarrigles, King Crimson, Talking Heads, Stan Rogers, Jonathan Edwards, Alan Stivell, Paul Brady, Andy Irvine, Emmylou Harris, Norma Waterson, Nic Jones, Nick Drake, and Pied Pumpkin.

House of Cards

House of Cards (2009) was produced by James Keelaghan and features ten original songs, some co-written with Karine Polwart, David Francey, and others. On my first listen, the tracks that stood out were the title song, “House of Cards,” inspired by the 2008 financial meltdown, and “McConnville’s,” a warm portrait of a neighborhood bar and its regulars.

Here’s how Terry Wickham, producer of the Edmonton Folk Music Festival, sums up Keelaghan’s music:

“James has become the complete artist. A brilliant tunesmith who has become one of the most engaging performers of our time. You always know the journey with James is going to be great; you just never know what all the destinations are. That is why the curve on his career continues to rise.”

Here’s James performing “McConnville’s” from House of Cards.

Something Old, Something New, Something Borrowed, Something Blue(s)

Do you remember that old saying… Something Old, Something New, Something Borrowed, Something Blue? Well, over the weekend my music listening mirrored that saying.

I’ve been listening to a variety of music — something old, Phil Ochs’ Pleasures of the Harbor; something new, Notorious’ The Road to Damascus; something borrowed, Tom Russell; and something blue(s), Coco Montoya.

Something Old: Phil Ochs – Pleasures of the Harbor

I think that somewhere along the line I had a copy of Phil Ochs’ album Pleasures of the Harbor. Actually, I think it was on eight-track tape!

Anyway, it was good to hear the complete album again. I say “hear the complete album” because several of the tracks have been part of my listening rotation over the years — songs like “Flower Lady” (one of my all-time Ochs favorites), “Outside of a Small Circle of Friends,” “Pleasures of the Harbor,” and “The Crucifixion,” all of which have appeared on other compilation albums such as There But for Fortune.

But it was great to revisit songs like the opening track “Cross My Heart” and “The Party” for the first time in a long while — “and I crawled beneath the rug and re-tuned my piano.”

Something New: Notorious – The Road to Damascus

Notorious is primarily a duo — Eden MacAdam-Somer (violinist, fiddler) and Larry Unger — though they sometimes expand to a trio or quartet with Sam Bartlett on mandolin and Mark Hellenberg on percussion or banjo/uke. From their website:

“Eden MacAdam-Somer is a remarkable musician. Violinist, fiddler (there’s a difference), clogger, and vocalist, she bowed, plucked, and danced up a storm, Unger contributing harmony, rhythm, musical ambiance and style. And style there was – in abundance… MacAdam-Somer has mastered it and Unger hung on for the ride. Heartrending vocals poured through ‘All Night Long’ and a Jewish wedding song. Singing and fiddling at the same time is her specialty, but her rendition of a Vaughan-Williams piece for soprano and violin was truly extraordinary.” – Michael Huebner, Birmingham News

Notorious plays a lively mix of folk, Celtic, Gypsy, and Eastern European styles. “Hora Miresii” is a Romanian tune, and “Caje Sukaarije” was made popular by Macedonian singer Esma Redžepova. The album is full of great instrumentals like “Blues at Daybreak,” “Hangman’s Reel,” and “Planxty Eden,” along with vocal gems such as “Wild Rose of the Mountain” and a beautiful rendition of “Do You Know What It Means to Miss New Orleans.” All in all, a fine album that I know I’ll be returning to often.

Something Borrowed: Tom Russell – Play One More: The Songs of Ian & Sylvia

After revisiting Ochs and discovering Notorious, it seemed only fitting to borrow from another era. Tom Russell’s Play One More: The Songs of Ian & Sylvia is just that — a heartfelt collection borrowing twelve songs from Ian and Sylvia Tyson. Russell had been thinking about making this record for twenty years before its release. It includes twelve tracks plus two previously unissued demos sung by Ian and Sylvia themselves: “The French Girl” and “Grey Morning.”

Russell’s versions, recorded with Cindy Church and Grant Siemens, feature “Wild Geese,” “Rio Grande,” “Play One More,” “Red Velvet,” “These Friends of Mine,” “The Renegade,” and several surprises — including two co-writes with Ian and Sylvia that Tom had never recorded before.

For those unfamiliar with Ian & Sylvia: they were a celebrated Canadian folk duo of the 1960s and ’70s, best remembered for Ian’s “Four Strong Winds” and “Someday Soon,” and Sylvia’s “You Were On My Mind.” They also covered Gordon Lightfoot’s “Early Morning Rain” and Joni Mitchell’s “The Circle Game.”

I confess I was never a big Ian & Sylvia fan, but Tom Russell’s interpretations may change that. This is a wonderfully consistent collection — Russell’s voice and storytelling bring fresh life to these classics. My current favorites are “Wild Geese” and “Rio Grande,” though “Play One More,” “Sam Bonnifield’s Saloon,” and “Red Velvet” aren’t far behind.

Anyway, check it out!

Something Blue(s): Coco Montoya – Hard Truth

Hard Truth - Coco Montoya

The something blue(s) that completes the weekend playlist is the album that’s spent the most time in my rotation lately — Hard Truth from Coco Montoya. This is one damn good album, and the proof is in the pudding: it hit number one on the Roots Music Blues Chart last week and is still holding strong this week.

My first encounter with Coco Montoya was in the 1980s when he played lead guitar with John Mayall and the Bluesbreakers. Since then, a few of his solo releases have caught my attention — including his 1997 release Just Let Go, which is in my music library.

For me, though, Hard Truth may be his best album yet — or at least my favorite. There isn’t a weak track here, and throughout the album both Montoya’s guitar work and vocals shine.

My favorite tracks include “Before the Bullets Fly,” “I Want to Shout About It,” and “Old Habits Are Hard to Break.” I added these three to the playlist below — the finishing touches to this first “Something Old, Something New, Something Borrowed, Something Blue” musical journey.

Both Phil Ochs’ Pleasures of the Harbor and several Ian & Sylvia albums — plus an Ian Tyson solo record — now sit proudly in my vinyl collection. Not a bad soundtrack for a weekend that covered the old, the new, the borrowed, and the blue.