The Daily Roots….. Down a Folk Music Rabbit Hole

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The Kingston Trio Nick Bob John started Me Down the Folk Music Rabbit Hole

A Random Album Pick – The Kingston Trio – Nick Bob John

This morning I randomly picked out an album from a crate of vinyl that was near me. The album was The Kingston Trio‘s album Nick-Bob- John. Released in 1964, the album was their first recording on the Decca label. The trio was extremely popular from 1958 through 1963 There first 5 albums peaked at No. 1 on the charts and were certifed Gold Records.. That explains why their albums are so numerous at Goodwills.

When I first realized that good albums could be found at Goodwills I started to search out folk music from the 1950s and 1960s. And The Kingston Trio albums were the easiest to find. I found this album interesting because by this time John Stewart had joined the trio.

The First Spin

I put the album on and started to do write a blog post. The first song was “Midnight Special” a song I have heard countless times over the years. My ears really perked up when I heard the third song “Someday Soon” an Ian Tyson song that has been covered by many of my favorite artists. My favorite cover though is by Judy Collins!

Down the Folk Music Rabbit Hole

Then came “Gotta Travel On” and this is when the ground started to split and a rabbit hole emerged! When I first went to Google to find out more about the song I saw a result that said Gotta Travel On words ad lyrics by Bob Dylan I thought that’s not right. When I looked back at the back of the album I saw that the songwriter was Paul Clayton.

Now that makes sense Clayton was very active in the early folk scene in Greenwich Village and I knew Dave Van Ronk had written about him in Van Ronk’s he Mayor of MacDougal Street

So I searched Google for info on the relationship between Van Ronk, Clayton and Dylan.. Here’s what i found out

Further Down the Folk Music Rabbit Hole…….

Traveling on with The Weavewrs sent me further down the folk music rabbit hole

Next, I discovered that the song went back a long way and that while some say The Kingston Trio introduced the song. However, The Weavers had actually recorded it several years earlier. The sent me down the rabbit-hole to find my Weaver albums to see if I had one with “Gotta Travel On”. Bingo! And it’s even in the slightly referenced in the album title Travelin’ On with the Weavers. The song ends the album! Here’s What they wrote about the song.

Here again was the fragment of a song with an appealing rhythm we wanted to preserve. We wrote new lyrics to tell a lonesome tale: who has not felt.

What the Liner Notes Taught Me

Finally, when I pulled out the Weaver album I also pulled out The Weavers Greatest Hits. When I looked at the songs I recognized the majority of them including the likes of: “Kisses Sweeter Than Wine” “Wimoweh” and “Rock Island Line” Hey is that the Johnny Cash song? Yep.

Anyway I saw that many of these songs were written by Paul Campbell. and Kisses Sweeter than Wine and Rock Island Line were written by Paul Campbell and Joel Newman. Who were these songwriters??? Off again to Google, etc

Paul Campbell is a pseudonym used by The Weavers (Pete Seeger, Lee Hays, Fred Hellerman, and Ronnie Gilbert) between 1948 and 1953 to copyright their arrangements of traditional folk songs. It allowed the group to claim songwriting credit for adapted material, such as “Kisses Sweeter Than Wine”

Now the question is who is Joel Newman? The answer Huddie Ledbetter aka Lead Belly.

Another of the things I learned from the liner notes on Travelin’ On with the Weavers involved “Kumbaya.” When they first encountered it, all they had was the word “Kumbaya,” brought back from Africa, and a rhythm that sounded like a lullaby. So they wrote it as a lullaby.

All of this from pulling one random album off a shelf.

A Folk Music Rabbit Hole Playlist

Stan Rogers Anchors a Canadian Style Folk Friday

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Folk Monday kicked off with Endless Wire spinning on the turntable — Gordon Lightfoot sounding as warm and familiar as ever. Something about Lightfoot always puts me in a good place, and today it set off a whole chain reaction.

While the album played, I started revising older posts, and the first one that surfaced was my write-up on Dave Gunning’s Lift. I’d forgotten how much I liked that record — and how many East Coast voices Gunning pulls into his work. Here’s the updated post if you want to take a look:

👉 Link to the Dave Gunning / Lift post

All that got me thinking…

The Canadian Connection

Lightfoot led to Gunning, and suddenly I realized how many Canadian voices have shaped my listening over the years. They’re not all alike, but they share that same mix of storytelling, heart, and wide-open Northern landscapes:

  • Gordon Lightfoot – the foundation
  • Dave Gunning – modern East Coast voice with Stan Rogers’ storytelling DNA
  • Ian Tyson – I may need to pull out Cowboyography next
  • James Keelaghan – one of the finest storytellers working today
  • Stan Rogers – I knew I had one of his albums somewhere… turned out to be two

And just like that, I was all the way down the Canadian folk rabbit hole — the good kind — which led naturally to putting Stan Rogers on the turntable next.

By this point, I was fully down the Canadian folk rabbit hole — the good kind.

Stan Rogers First on the Turntable

Fogerty's Cove - Stan Rogers

Once I dug a little deeper into my shelves, I found the two Stan Rogers albums I’ve picked up over the last couple of years. First on the turntable: Fogarty’s Cove.

Fogarty’s Cove was Stan’s debut, released in 1977 on Barnswallow Records — a label he later purchased and turned into Fogarty’s Cove Records. My copy is the 1979 pressing on that very label, which feels just right for the music.

While the needle dropped, I realized I never really knew how young Stan was when he died — only that I’d heard Gene Shay mention it years ago. A quick stop at Wikipedia filled in the gaps:

About Stan Rogers

Stanley Allison Rogers (November 29, 1949 – June 2, 1983)[1] was a Canadian folk musician and songwriter who sang traditional-sounding songs frequently inspired by Canadian history and the working people’s daily lives, especially from the fishing villages of the Maritime provinces and, later, the farms of the Canadian prairies and Great Lakes.[2] He died in a fire aboard Air Canada Flight 797, grounded at the Greater Cincinnati Airport, at the age of 33. Wikipedia

Before his death in 1983, Stan — with his brother Garnett often co-producing — released five albums. He stayed a staple of the folk community long after, with live releases, tribute concerts, and, of course, the annual Stan Rogers Folk Festival up in Canso, Nova Scotia.

Listening again, it’s easy to be reminded why Stan’s music has stuck around. His baritone, that hint of Celtic phrasing, the DADGAD-tuned guitars — and the songs themselves. “Northwest Passage,” “The Mary Ellen Carter,” “White Squall,” “Make and Break Harbour”… they all still land.

Barrett’s Privateers – from Fogerty’s Cove – Stan Rogers

But the one that always leaps out, no matter how many times I hear it, is “Barrett’s Privateers.” Before I wander any farther down this Canadian trail, here it is — the perfect way to wrap up this Rogers detour.as Remembering Stan Rogers, which peaked at number 36 on the RPM Country Albums chart.

If the day stays at this pace, who knows where I’ll end up — maybe ending the night with Tyson’s “Four Strong Winds” or Keelaghan’s For now, I’m calling this the first stop on what’s turning into a full-on Canadian Folk Monday. I’ll circle back soon with Tyson, Keelaghan, and maybe a few vinyl surprises I dig out of the stacks.

Ally Venable Band – Puppet Show is a Winner!

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Ally Venable - Puppet Show

Ally Venable Band Starts This Week’s Blues Music Rotation

Yesterday, I had a chance to take a good look at the Roots Music Report Blues Charts. After reviewing the charts I listened to a few minutes of many albums to see if they match my taste. I ended up with thirteen albums to listen to over the rest of the week. The album that intrigued me the most yesterday was Puppet Show from the Abby Venable Band. Currently, the album is number 23 on the Contemporary Blues Album Chart.

Evidently I have been doing a lousy job of keeping up with hot new blues artists from Texas.  Because Abby  is one of th hottest.t young blues artists (she’s 19 years old) in the Lone Star State.‘Ms Venable was named East Texas Female Guitarist of the Year in both 2014 and 2015. And her band was named East Texas Music Awards Blues Band of the Year in 2015,2016 and 2017.

About the Ally Venable Band

Ally Venable is both the leader, and lead vocalist and of course lead guitarist. Ally started  singing in church at your  age. In recent years though she picked up the guitar and found her passion.

Ally’s band mates Bobby Wallace and Elijah Owens provide a solid rhythm section. Wallace is the bassist and Owens the drummer. Wallace has tons of experience and is a master at his craft. While Owens is a classically trained musician.

Puppet Show is the band’s  third album. Train Wreck Blues was the band’s debut album and No Glass Shoes was their sophomore release. There are some helping hands on Puppet Show. Guitarist Gary Hoey provides his great guitar work on track one “Devil’s Son”. While Ally’s mentor Lance Lopez adds his guitar to “Bridges to Burn” track two. Steve Krase plays harmonica on the album and Eric Steckel adds some keyboards.

Final Thoughts

Bottom Line : Based on a limited number of listens Puppet Show is a winner and will stay in my rotation for a while, so check it out!

Artist’s Website
Facebook
Twitter
Instagram
Amazon

Here’s Ally Venable Band performing “Gas Monkey” at the Dallas International Guitar Festival in 2017….

The Dutchman – Steve Goodman and “Folks” I Met in Songs

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Somebody Else's Troubles where I met The Dutchman

The Dutchman and Other Folks I’ve Met in Songs

The Dutchman – Steve Goodman

“The Dutchman,” written by Michael Smith, is one of my all-time favorite songs. In addition to Steve Goodman, the song has been covered by two of my favorite artists — Jerry Jeff Walker and John Gorka — along with Liam Clancy. Steve’s version is still my favor

 

Now, why a 20-year-old fell in love with this song back in 1971, I don’t really know. I guess it’s the universality of the lyrics — the tenderness, the quiet devotion, the way it captures a love that endures through time and frailt

What I do know is that as I approach my 74th birthday and my 50th year married to the love of my life, my eyes are misting up just thinking about it.

I’ve always loved story songs — songs that introduce you to real people, or people who feel real, whose stories stay with you. Here’s a short playlist of some of the folks I’ve met through songs over the years.

The Playlist

“The Dutchman” – Steve Goodman


I met The Dutchman back in 1971 via Steve Goodman’s album Somebody Else’s Troubles. The song has stayed with me all these years and now feels even more meaningful. A tale of enduring love and quiet devotion.

“Mr. Bojangles” – Jerry Jeff Walker


The story of a street performer Walker met in a New Orleans drunk tank. The song reminds us that everyone has a story, even if it’s not immediately visible. And yes, the waltz beat has helped rock all five of my grandchildren to sleep at one point or another.

Bonus: Check Out a Birthday post I did For Jerry Jeff  a while back here

“Mr. Tanner” – Harry Chapin


A powerful story about a man who dares to dream. It makes me wonder: is it better to chase your dream and fall short, or to keep the dream alive in your imagination? I’ve asked myself that many times.

“Corey’s Coming” – Harry Chapin


The story of old John Joseph and his beloved Corey. Is Corey real, or only alive in the old man’s mind? Either way, it’s a tale of love, longing, and the stories we choose to believe.

“Mr. Schwinn” – Daryl Purpose


The quiet, touching tale of a bicycle repairman and the two bikes he maintains — one for himself, one for his wife. Did they ever take that honeymoon ride? We may never know, but it stays with me.

“Stoney” – Jerry Jeff Walker


Another unforgettable character from Walker’s travels. I first heard this in the early ’70s, and it’s been with me ever since. While at the University of Florida, I once recited it (along with “Waist Deep in the Big Muddy”) as part of a class assignment. I got applause for “Stoney.” It’s also one of those songs I’ve used to rock a grandchild t

Listen to the Playlist

Here’s a playlist of the songs and characters I’ve carried with me all these years. Each one tells a story — some tender, some wistful, all unforgettable.

The Bonus: Not a PArticular Person just two people who may resemble people we know…..

hese are the people I’ve met in songs — and somehow, they’ve stayed with me longer than some folks I’ve met in real life.

Journaling Why I’m Returning Again (and What ADHD Has to Do With It)

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For several years, I kept two journals. One was a small dot-grid Bullet Journal that eventually morphed into a daily logbook — a place to track my runs, my meals, and sometimes my mood. Somewhere along the way, I let it go. Life got busy, the dots blurred, and the routine slipped through the cracks.

But here I am again, notebook in hand, pen ready, restarting the habit. Why?

Because I know — and let’s be honest, I’ve known for a while — that I likely have ADHD. It’s never been formally diagnosed, but I know the feeling of 137 thoughts trying to speak at once, of starting five things and finishing none, of opening a cabinet and forgetting why I’m standing in the kitchen.

So how does journaling help?

  • It externalizes my thoughts. When my mind is racing, writing helps me slow it down and make sense of the noise.
  • It creates visual order. A checkbox. A line across a page. A timeline. These simple things calm the chaos.
  • It helps me follow through. A to-do list I can see is better than the one in my head that keeps getting drowned out by distractions.
  • It gives me clarity. I start to see patterns — when I run, I feel better. When I skip meals or skip rest, I don’t. It’s all there in ink.
  • It reduces guilt. Instead of beating myself up for not doing “all the things,” I can see what I did do — even if it’s “survived the day and had a decent snack.”

This time, I’ll try to keep my Journaling simple.

I’m not designing fancy spreads or tracking seventeen habits at once. I’ll be using what has worked for me in the past. I’ll keep a log of exercise and runs in a Bullet Dotted Notebook. I’ll also use a Quad Ruled Notebook for tracking my morning and evening to-do lists, a record of my library books I have checked out, and maybe even some genealogy and blog notes.

Top Notebook s that will be used for my journaling

Finally, the Quad notebook will also be a place to unload whatever’s floating around up there — because heaven knows, there’s a lot of traffic.

This isn’t about being consistent every day. It’s about having a place to return to — a way to reconnect with myself, my goals, and my sanity when I need it most. (Okay, maybe my thoughts have already moved beyond “simple”… but at least I’m writing them down.)

So yes, I’m journaling again. And if you’ve ever thought about doing the same, ADHD or not, maybe this is your sign to start fresh too….

Here are some of the best articles I found about using bullet journals to support ADHD:

 

Folk Music Rotation – Week of July 7, 2025

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Orinally Posted Under Folk Monday Now Located Under Folk Friday

Each Monday, I survey the Folk Music Charts and pick the albums I’d like to listen to over the rest of the week. I give each one a quick listen — sometimes just a few seconds is enough to know it’s for me. Sometimes it takes a track or two. I always hope to find a few old friends and a few brand new discoveries.

Here is this week’s Folk and Americana rotation. I’ve found new music from six artists that are new to me, plus six from musicians already in my library.

Six Newly Discovered (by me) Musicians and Their Most Recent Albums Added to My Folk Monday Music Rotation

  1. Dark Traces leads off the Folk Monday Music Rotation for July 7,2025
    Delta Traces     – Billy Jeter (RMR #9)
    First thing that caught me was the first track, “Hambone Stomp” — Bobby Rush’s harp hooked me!
  2. Middle – Jesse Wells (RMR #12)
    The lyrics in the opening track sealed the deal. Deep, poetic, and timely. This guy is for me:

    All my flannels made in Bangladesh
    All my T-shirts in Vietnam
    There are places that we quietly ignore
    There are places that we go and bomb
    You know I thought an awful lot about Jesus
    Even more about Lao Tzu
    They say that the way of the Tao is to do nothing
    Then what the hell am I supposed to do?


  3. Shelby Means – Shelby Means (RMR #18)
    Great vocals with great pickin’ — what’s not to love?
  4. Beautiful Thing – Peaches & Quiet (RMR #20)
    The second track, “Calgary Skyline,” caught my attention — they’re Canadian? I immediately thought of Ian & Sylvia.
  5. You Never Can Tell – Diane Hubka & The Sun Canyon Band (RMR #29)
    Any album that starts with covers of Guy Clark and Bob Dylan deserves a full listen. What else do they pull off?
  6. Dime Store Mannequin – Son Stone (RMR #39)
    The opening track “Old Fashioned” grabbed my attention with its raw, confessional lyrics:

    You told me I was repulsive when you met me at the bar
    Then you pulled me in and kissed me hard and drove me home in your car
    By the morning you′d forgotten my name and I’d forgotten yours
    Then you pushed me out of bed and kicked me out your door

    You ask me for the reasons why and push comes to shove
    Well there′s an Old Fashioned recipe for our love
    You only love me for my guitar playing and I love your southern drawl
    Our love is one part passion and three parts alcohol…


Bonus Pick: Songs for a World Gone Mad – Mark Rubin, Jew of Oklahoma (FAI Folk Chart #6, May 2025)
I couldn’t pass up an album with a title like this one — found it via the Folk DJ List.

Six New Albums from Musicians in My Music Library Find Their Way into My Folk Monday Music Rotation

  1. Field of Stars – John McCutcheon
  2. Dark Ages – Eliza Gilkyson (RMR #8)
  3. Bones of Trees – Tim Grimm (FAI Folk Chart #1, May 2025)
  4. The three albums above are from old favorites I’ve followed for years. Each of them has a thoughtful new offering to explore.
  5. Backstage Balladeer – Jefferson Ross (FAI Folk Chart #27, May 2025)
    If I didn’t write about Jefferson Ross on No Depression years ago, I meant to! Glad to see he has a new release.
  6. The Herculeons – John Cowan & Andrea Zonn (FAI Folk Chart #40, May 2025)
    John Cowan and New Grass Revival were staples in my rotation — I had to check out this new project with Andrea Zonn.
  7. Arcadia – Alison Krauss & Union Station
    Time to dig out my cassette copy of her first album and do a full-circle listen!

*Folk Alliance International FOLK CHART – May 2025

Compiled from FOLKDJ-L playlists | 10,531 plays from 359 playlists by 102 Folk DJs

🎧 Stay tuned for ratings, brief notes, and links to reviews for my top picks this week.

Suggestions welcome — let me know who I should listen to next Monday!

 

Exploring the Chicago Blues of Lurrie Bell

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Lurrie Bell: Carrying On the Chicago Blues Tradition of His Father, Carey Bell

I’ve mentioned before that I often use the birthday listings over at AllAboutJazz.com as a springboard to discover new music. That’s how I first really dove into the music of Lurrie Bell, a Chicago bluesman with deep roots and a guitar tone full of grit and soul.

Blues in My Soul – A Breakthrough Album

Back in 2013, Lurrie Bell had a banner year. He released what would become one of his most acclaimed solo albums, Blues in My Soul, on the Delmark label—a return to electric blues after a few more acoustic and spiritual outings. The blues world noticed.

Blues in My Soul earned Lurrie five nominations at the 2014 Blues Music Awards:

  • Blues Album of the Year (Blues in My Soul)
  • Blues Song of the Year (“Blues in My Soul”)
  • Traditional Blues Album of the Year (Blues in My Soul)
  • Blues Guitarist of the Year
  • Traditional Male Blues Artist of the Year

He took home the Blues Song of the Year award, and also won the 2013 Living Blues Award for Male Blues Act of the Year.

Lurrie Bell – Born December 13, 1958

Lurrie Bell was born in Chicago, the son of legendary blues harpist Carey Bell. He picked up the guitar at six, and by his teens was already playing with the likes of Eddy Clearwater, Big Walter Horton, and Eddie Taylor. In the mid-1970s, he spent four years touring and recording with Koko Taylor’s Blues Machine. His recording debut came in 1977 on his father’s album Heartaches and Pain, as well as King of the Jungle by Eddie C. Campbell.

Over a career now spanning more than four decades, Bell has released more than a dozen solo albums, collaborated often with his father, and contributed to numerous other blues records. I first heard his scorching guitar work on Live at Chan’s: Combo Platter No. 2 from Nick Moss & The Flip Tops, where he shines on a 13-minute version of Eddie Boyd’s “Five Long Years.”

If you’re a fan of Chicago blues and haven’t checked out Lurrie Bell yet—start now. Here are some great places to explore his music:

Links exploring the blues of Lurrie Bell…

And here’s a great live performance of “Everyday I Have the Blues” from Bluesfest Eutin 2014:

>

🎶 Update: Set Me Free (2024)

As for me? Lurrie Bell is still going strong. His 2024 collaboration with saxophonist Frank Catalano, Set Me Free, is now spinning as I write—and it’s a bold, soulful mix of blues and jazz that pushes the boundaries without losing the heart.

Between Lurrie’s expressive guitar and vocals, and Catalano’s blazing sax work, the album is a testament to two seasoned musicians still hungry for musical exploration. Set Me Free proves the blues isn’t stuck in the past—it’s still moving, still evolving, still alive.

Check it out—you just might find yourself set free too.

Return to Music: Leaves, Branches & Roots
Return to Blues: Leaves Branches & Roots

r

Daggomit! by Max Wareham – It’s N0. 1 in My Book!

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Daggomit! - Max Wareham

Daggomit! by Max Wareham – Daggomit, It’s Great Bluegrass!

The other day, I visited the FAI Folk DJ Chart in search of some new folk music. As I scrolled down the chart, I saw several interesting albums. However, it was the number 50 album — Daggomit! — that really caught my attention. With a title like that and its cartoonish cover, I thought: this is an album I will undoubtedly like. I need to check it out!

Boy, am I glad I did. So daggomit, let’s find out about the album and its creator, Max Wareham!

DAGGOMIT — Who Is Max Wareham?

Max Wareham is a banjo player, songwriter, and author who hails from Boston, MA. He’s also a member of the Peter Rowan Bluegrass Band and was featured on the Grammy-nominated album “Calling You From My Mountain.”

After two years of touring nationally with Peter Rowan, Max recorded and released his own album, Daggomit!, in February 2025.

In addition to Max’s fine banjo playing, the album features an impressive roster of bandmates:

  • Chris Eldridge and David Grier – guitars
  • Laura Orshaw – fiddle
  • Chris Henry – mandolin
  • Mike Bub – bass
  • Larry Atamanuik – snare drum
  • Guest vocals – Peter Rowan

Sounds like a winning lineup to me! Even the production is top-shelf: Peter Rowan served as producer, and the recording engineer was multi-Grammy winner Sean Sullivan.

Max is clearly passionate about the banjo and committed to honoring the instrument’s early innovators — he’s even written a book about one of them! His dedication shines through every note on Daggomit! — a collection of soulful original songs brought to life by the hard-driving chemistry of Nashville’s top bluegrass players.

One More Thing About Max…

I admire and envy anyone who excels at more than one thing — and Max is one of those people! According to his website:

“In addition to his work as a banjo player, he has studied jazz guitar performance at the New School for Jazz and Contemporary Music in NYC, written songs for and co-produced the album Cousin Moon, played bass with psych-pop outfit Sun Parade, and produced and recorded songs under the alias ‘Sir Orfeo.’”

Thoughts About Daggomit!

Daggomit! packs 13 terrific bluegrass tracks into 43 minutes. Max’s banjo is front and center on most of the tunes — some are all-instrumental (always my favorites!), and others feature strong vocals, including two with Peter Rowan.

Each track gives Max and his bandmates a chance to shine. Bluegrass, after all, is a lot like jazz — everyone takes a turn in the spotlight!

All I can say is, I wouldn’t be surprised to see Daggomit! climb higher up the charts. Or maybe it already has, and I missed it — boo hiss on me!

Either way, you should check it out. And as for me? I need to circle back and dive deeper into that Peter Rowan Band album: “Calling You From My Mountain.”

Links for Further Exploration of Max Wareham’s Music

Here’s Max with “Hard Times are hard to Find”! Enjoy!

House Party -Jimmy Smith, Jazz Royalty Connecting to Today?

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House Party- Jimmy Smith

House Party – Jimmy Smith on the B3, Jazz Royalty and a Connection to Today

For most of my life, the three Jimmy Smith albums that traveled with me were Jimmy & Wes: The Dynamic Duo, The Further Adventures of Jimmy & Wes, and Jimmy Smith’s Greatest Hits. But once I moved past the Raffi and Sharon, Lois & Bram years (1979–1993, while raising four kids born between 1979 and 1990!), I started collecting more. What began with a few CDs has grown—thanks to Goodwill digging and trips to Princeton Record Exchange—into a modest but beloved Jimmy Smith vinyl collection. And now House Party has become a standout favorite, not only for the groove but also for the incredible jazz talent featured on it.

My Jimmy Smith Album Collection (So Far)

  • House Party (1957) – Blue Note
  • Midnight Special (1961)
  • Bashin’ The Unpredictable Jimmy Smith (1962)
  • Live at the Village Gate (1963)
  • Who’s Afraid of Virginia Woolf? (1964)
  • Got My Mojo Working (1966)
  • Jimmy & Wes: The Dynamic Duo (1966)
  • Peter and the Wolf (1966)
  • Hoochie Coochee Man (1967)
  • Livin’ It Up! (1968)
  • The Further Adventures of Jimmy & Wes (1969)
  • Live in Concert – Jimmy Smith
  • Jimmy Smith’s Greatest Hits
  • Don Gardner Trio – Featuring Jimmy Smith

House Party Jimmy Smith Cover
Tonight’s Soundtrack: Jimmy Smith:House Party

This isn’t just the first album alphabetically in the list—House Party is a showcase of incredible jazz players and solid grooves. Just look at this guest lineup:

  • Lee Morgan – trumpet
  • Curtis Fuller – trombone
  • Lou Donaldson – alto sax
  • George Coleman – alto sax
  • Tina Brooks – tenor sax
  • Kenny Burrell – guitar
  • Eddie McFadden – guitar
  • Art Blakey – drums
  • Donald Bailey – drums

If you’re not a jazz listener, let me assure you—this is jazz royalty. These players brought depth, swing, and soul to every note, and House Party is a prime example of timeless jazz that grooves like no other.

Track Listing and Lineups

Side One: “Au Privave” / “Lover Man (Oh, Where Can You Be)”
Side Two: “Just Friends” / “Blues After All”

“Au Privave”

Jimmy Smith (organ), Lee Morgan (trumpet), Lou Donaldson (alto), Tina Brooks (tenor), Kenny Burrell (guitar), Art Blakey (drums)

“Au Privave” is a refined piece of indisputable bop mastery as Smith commands the combo through an incendiary and driving rendition that grooves unforced flair and organic charisma… Even at 16-plus minutes, the pace and timbre of the performance begs for more. — AllMusic

“Lover Man”

Jimmy Smith, Lee Morgan, Lou Donaldson, Eddie McFadden (guitar), Donald Bailey (drums)

“Lover Man” is splendid and sincere as Donaldson drives right to the heart, unreeling stunningly lyrical leads behind Smith’s distinguished progressions. — AllMusic

“Just Friends”

Jimmy Smith, Lee Morgan, Curtis Fuller (trombone), George Coleman (alto), Eddie McFadden, Donald Bailey

“Just Friends” is a true gem… Each musician is given room to stretch and reveal his identity as both an ensemble player and soloist. — AllMusic

“Blues After All”

Jimmy Smith, Lee Morgan, Curtis Fuller, George Coleman, Kenny Burrell, Donald Bailey

“Blues After All” is a soulful outing that offers arguably the most sublime and understated bop on the album. — AllMusic

From 1957 to Today: House Party Meets Big G

One of the things that jumped out at me on House Party was George Coleman’s presence on two tracks. Truth be told, I hadn’t explored his work much—until recently. I’d just heard him blow sax alongside his son, George Jr., on a new album called Working Out with Big G by organist Brian Charette—who happens to be one of today’s finest Hammond B3 players.

What really blew me away? That modern quartet—Brian Charette (organ), George Coleman (sax), Ed Cherry (guitar), and George Coleman Jr. (drums)—feels like a spiritual echo of House Party’s lineup. It’s like the legacy continues, recharged and reimagined for a new era.

Final Thoughts

House Party is going to be one of my go-to jazz albums for a long time to come. If you’ve got a turntable or even just Spotify, I highly recommend diving in—and then checking out Working Out with Big G to hear how that soul-jazz legacy lives on.

For now, I’m spinning both albums and smiling at how full-circle jazz can be..

Here’s “Blues After All” from House Party And tow tracks from Working Out with Big G  from Brian Charette,,,

DNA Provides an Ashton -Gottlieb Family Connection

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New Cousins Discovered: An Ashton Gottlieb Family Connection  Family

So the name John Sherrington Ashton has a nice British ring to it, don’t you think? Well, it should — my family immigrated from Lincolnshire, England in 1851.

But how about the name John Sherrington Gottlieb? Doesn’t quite roll off the tongue the same way. Still, through the wonders of Ancestry and DNA testing, I’ve discovered that he has a rightful branch on my family tree!

The Ashton Gottlieb Family Connection Started With a DNA Match…

Just the other day, I noticed a new, extremely high 4th–6th cousin match from a user named glgottlieb1. Based on the surname, I assumed the connection would be through the German side of my tree — but I was shocked when I previewed his small (10-person) tree and saw the name we shared was Ashton!

His grandmother was listed as Catherine Ashton. When I checked our shared locations, I saw that his father, Lawrence Emil Gottlieb (born May 6, 1907), was born in Philadelphia. In the 1910 census, I found the family — Mary (his mother) was born in New Jersey, as were her parents. She was 28 at the time, putting her birth around 1882. Emil was born in Illinois, with parents from Denmark. The pieces were starting to come together.

The Ashton Gottlieb Family DNA Connection Link

My great-grandfather, John Sherrington Ashton, was born in 1858 and married his first wife, Mary E. Warwick, in 1881. In my tree, I had four children listed for John and Mary: Blanche, Edward, Horice, and William — the earliest born in 1884. But looking anew at the 1885 Beverly, NJ census, I discovered another child: a daughter Mary, between 0 and 5 years old — a perfect fit to become Mary Gottlieb.. Mary Ashton was found in the 1910 census married to Emil Gottlieb and living with her family in Philadelphia.. The link would soon be cnfimred…..

 

1910Philalphia Census with Mary Gottlieb and her Family the DNA connection
1910 Philadelphia Census with Mary AShton Gottlieb and family

By 1920, the Gottlieb family had moved to Baltimore, Maryland. Emil and Mary had five children: Francis A. (18), Clarence E. (15), Lawrence E. (12), Catherine M. (9), and — low and behold — John S. Gottlieb, age 3. After more digging, my wife Kathleen (aka the best genealogist ever!) found a death record confirming his full name: John Sherrington Gottlieb.

That fact, plus the DNA match, is more than enough for me to welcome the Gottlieb family into our Ashton line!

The Rest of the Ashton  Story…

When I started my genealogical research, I only knew that my great-grandmother was Margaret McCloskey. My mother knew she had had an Uncle Bill who lived out near the Devon Horse Show in Pa. It wasn’t long into my research that I discovered that my great-grandfather had actually been married twice. John was born in 1858 and married his first wife Mary E. Warwick in 1881.

They had the following children:

  • Mary Catherine, born in August of 1881—only four months after their marriage, hmm?
  • William, born in 1884, died in 1953
  • Edward, born around 1884?, died in 1902
  • Blanche, born in 1886, died in 1904
  • Horace, born in 1889, died in 1890
  • Alice Matilda, born in 1890, died in 1932

The sad part of the story is that Mary E. Ashton died in 1892. A year later, John remarried—taking Margaret McCloskey as his wife. Between 1895 and 1902, they had four children: Violet (1895), Agnes (1897), John (my grandfather) (1900), and Madaline (1902).

By the time my mother was born in 1928, only three of the children from John and Mary’s marriage were living: William (Uncle Bill from Devon, whom my mother remembered), and the two girls, Alice Matilda and Mary Catherine… You’ve heard Mary Catherine’s story—in the next post I’ll tell you how DNA led me to discovering what happened to Alice and finding more Ashton relatives!