Life is Hard – Mike Zito

Life is Hard - Mike Zito

So the other day I wrote a out one of the two songs that have been in my music rotation this month, Albert Cummings‘ latest album Strong. The other album is Mike Zito‘s new album Life is Hard. Like Cummings Zito has been a favorite of mine for many years a now. I started listening to his music back around 2010 in when I heard his album Pearl. I think that his last two albums, 2021 Blues for the Southside Live and Life is Hard have been the best of his career.

About Life is Hard

Life is Hard was recorded in September 0f 2023 at Sunset Sound Studios in Hollywood, California. Joe Bonamassa and Josh Smith produced the album, Both Bonamassa and Smith worked on the production of Blood Brothers, the critically-acclaimed album Zito recorded with fellow label guitarist Albert Castiglia,. (another favorite) Blood Brothers topped both the Billboard and iTunes blues charts after its release in March, 2023.

Life Is Hard is composed of several Mike Zito originals. In addition Mike makes a variety of blues songs written by more of my favorite artists including: Tinsley Ellis, Walter Trout, Tab Benoit and Fred James.

But that’s not all a diverse assortment of blues/roots music icons music is covered including Little Milton (“Lonely Man”), Stevie Wonder (“Have a Talk with God”) and Reverend Gary Davis (“Death Don’t Have No Mercy”), plus a terrific cover of the Guess Who classic, “These Eyes.”    

Mike has this to say about the album…..

“Life Is Hard is a complete work of art for me,” says Mike Zito about the new disc. “I believe this is the best album I’ve ever made in my life. My wife Laura and I planned this idea of pouring my heart out in music after her death from cancer. Joe, Josh and the incredible musicians were fully aware of the task at hand. They brought a lot of emotion to the music. I am so proud of this album and I know Laura would be proud as well.”     

From Mike Zito’s website.

The Bottom Line

The Bottom line is Life is Hard, like Strong is a fantastic album. In my opinion it is the best album Zito has recorded and it will be quickly climbing the blues charts. Currently it is number 11 on the Roots Music Report Blues Chart.

Mike’s guitar work and vocals are both great throughout Life is Hard. On several of the tracks on the album the keyboard work also shines. When I went to Mike’s website I discovered Reese Wynans was the keyboardist! Here’s the complete musician line-up on the album…..

Mike Zito – Guitar and Vocals
Joe Bonamassa – Additional Guitar
Josh Smith – Additional Guitar
Reese Wynans – Keyboards
Calvin Turner – Bass
Lemar Carter – Drums
Paulie Cerra – Saxophone on “Lonely Man”
Jennifer Kumma and Anna Spina – French Horn on “Forever My Love” and “These Eyes”
Jade Macrae – Background Vocals
Dannielle Deandrea – Background Vocals
Steve Ray Ladson – Background Vocals on “Death Don’t Have No Mercy”
French Horn Arrangements by Calvin Turner

When I was gathering info to write this post I discovered Mike’s wife Laura pasted away in August of 2023. She died after a long battle against cancer.Here’s what Mike writes about the song “Forever My Love”

About the Song “Forever My Love”

“In January of last year, I was considering the idea of making an album about the tragedy of my wife Laura having cancer. I wasn’t quite sure how to go about it, but she was very encouraging of the process. I knew I could not write an entire album about this experience and my feelings, but I wanted to write at least one meaningful song that encapsulated my emotions.

One morning I was sitting with guitar in hand at the dining room table with a coffee by my side. I played a chord and sang “Forever My Love” at the top of my lungs. Laura came into the room and said “What was that? Is that a song you’re going to write?” I said, “I think so, do you like it?”

She had an excited look on her face as she said “Yes, I like it a lot.” It just came to me so I went with it and the rest came so fast and easy. The best songs usually come out of nowhere and are very easy to write, like I am not really writing the song I am just the interpreter. The song was written, but I played it and sang it over and over throughout the year. Every morning I would sit at the table and sing it loud and she would listen.

She would tell me how much she loved the song, she was really proud. We had hoped she would live long enough to hear the finished version, but that didn’t happen. But, she heard me sing this song 100 times to her at our house last year, and she knew you were going to love it.” — Mike Zito

Here’s the video for “Forever My Love”

I also discovered there is a Go-Fund Me site Laura Zito Cancer Support. if you would like to help Mike and his family.

Albert Cummings’ – Strong – Starts March Strong!

Ok so since September of last year my wife and I have spent most of our days babysitting our 4th grandchild, Emma.  We’re at my daughter’s house from 7 am until roughly 5 pm. The result is I don;t have a lot of time to blog and/or listen to music. But I’ve been trying to listen when I am out and about on the weekends and at night. Lately, the two blues albums that have been in my music rotation are the latest releases from two of my favorites. First came Albert Cummings latest releases Strong.  Then came Mike Zito’s  Life is Hard . 

Both Albert Cummings and Mike Zito’s 2023 releases were among my favorites for the year. Albert’s album Ten was just flat out great. Well,in all fairness, Mike’s Blues for the Southside (Live) was also great! In this post I’ll cover Strong and post about Life is Hard later.

Albert Cummings - Strong

Strong – Albert Cummings

Strong is Cumming’s eleventh release and was produced by Grammy-winning virtuoso Tom Hambridge The album was recorded at Ocean Way Recording Studio in Nashville, Tennessee.

Cumming’s got his first big break In his musical journey, when after hearing hearinglay live, Tommy Shannon and Chris Layton (Vaughan’s Double Trouble) produced and played on 2001’s From the Heart. Since then many of his releases have made their way into the top ten of the blues charts. Several have been produced by the legendary blues guru Jim Gaines. Currently, Strong is number 11 on the Roots Music Report Blues Chart, number 2 on the Billboard Blues Chart and number 9 on the Living Blues Chart

Steve Leggett wrote this about Albert Cummings in his biography at AllMusic…

His playing style weds the chunky, rave-up R&B stylings of Albert King and Stevie Ray Vaughan to the boundary-less blues-rock improvisation of Jimi Hendrix and Freddie King’s resonant phrasing. Further, he is a powerful vocalist possessed of a rich, expressive baritone

From Albert’s Bio at AllMusic

Every time I Iisten to Strong I like each song just a little better. I’m consistently impressed by Cumming’s guitar work and vocals throughout the album. Rock & Blues Muse says this about the album..

Strong is a sonic exploration of life’s highs and lows, love and heartbreak, delivered with a raw and unapologetic intensity that defines Albert Cummings’ signature style. From scorching guitar solos to soulful vocals, every note on the album is a testament to the passion and dedication Cummings and his band poured into the recording process.

From Rock & Blues Muse

The Bottom Line

The Bottom Line is Strong will be in my music rotation for a good long while in 2024. I’m sorry about this but Strong is a very strong album from a great bluesman, Albert Cummings. So check it out!

Links for the Further Exploration of the Music of Albert Cummings

Artist’s Website Facebook Twitter Instagram YouTube Amazon Here;s “Live Strong” from Strong Enjoy!

The 1960s Folk Revival and Me……..

I was born in 1951 right smack dab in the middle of the American Folk Revival. This revival started in the 1940s and ran through the 1960s. It brought rural white and African-African American musicians to audiences everywhere. \

White artists include: Pete Seeger, Doc Watson, Jean Redpath. While African American artist included Leadbelly, as well as Mississppi John Hurt, Odetta, Elizabeth Cotton and Josh White. I wasn’t around for the 1940s and not listening too much music in the 50s.

In the early 1960s I was listening to The Beatles, Stones and the other British invasion bands. Then for several years I was listening to a lot of Motown until the late 1960s. As my world became more political, as a result of the Civil Rights Movement and the Vietnam War, the music I listened to became more folkie. I listened to more and more Bob Dylan, Phil Ochs and Tom Paxton.

But I’m sure in the years between 1962 and 1967 I was aware of the folk groups that were making it big. One of the ways America was discovering Folk Music was through TV where shows like Hootenanny were on the air….

Hootennnay Showcases Folksingers…..

Hootenanny was a musical variety show that aired on ABC from April 1963 to September 1964.I only have vague memories of the show hey in 1963 I was 12 and in 1964 the Beatles appeared on the Ed Sullivan show and the “British Invasion started.

But until the British Invasion started Hootenanny had help create a new craze. It had created a “the big demand for the folk performers in virtually all areas of show biz (records, concerts, college dates, TV, pix) and creatd a new folk form that appealed to a mass audience.

Artists whose career i have followed through the years like:.Bob Dylan, Tom Paxton, Pete Seeger and Johnny Cash appearede on the show. Other artosts whose names I knew like : Bob Gibson, Malvina Reynolds, Oscar Brand and Woody Guthrie also made appearances!

A dramatic drop in ratings lead to the creation of both Hullabaloo and Shindig which focused on the British Invasion and the new generation of rock musicians, Yet, somehow the memories of those early folkies stayed with me and lead me a few years later to Tom Rush, Tom Paxton, Eric Andersen and others!,

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A Sixties-Seventies Man Adds to His Vinyl Record Collection

During 2023, as I started looking through old albums at Goodwills throughout Southern New Jersey, I decided I would add albums from the folksingers from the Folk Revival period. So far I’ve added albums from the likes Bob Gibson and Hamilton Camp, Flatt & Scruggs, and even Pete Drake and his  talking guitar Additionally, I’ve added several Ian & Sylvia and Joan Baez albums

Here are several from Oscar Brand and The Weavers that I’ve found…….

 

Oscar Brand takes a Humorous Walk on the Folk Song Wild Side

From Wikipedia>>>>

Oscar Brand  (February 7, 1920 – September 30, 2016) was a Canadian-born American folk singer-songwriter, radio host, and author. In his career, spanning 70 years, he composed at least 300 songs and released nearly 100 albums, among them Canadian and American patriotic songs. Brand’s music ran the gamut from novelty songs to serious social commentary and spanned a number of genres.e hosted the radio show

Oscar Brand’s Folksong Festival on Saturdays at 10:00 p.m. on WNYC-AM 820 in New York City, which ran into its 70th year. The show ran more or less continuously from its debut on December 10, 1945[8] to September 2016,[9] making it the longest-running radio show with the same host, according to the Guinness Book of World Records. Over its run it introduced such talents to the world as Bob Dylan, Joan Baez, Woody Guthrie, Arlo Guthrie, Huddie Ledbetter, Joni Mitchell, Peter, Paul & Mary, Judy Collins, The Kingston Trio, Pete Seeger and the Weavers. In order to make sure that his radio program could not be censored he refused to be paid by WNYC for the next 70 years.

Bawdy Songs and Backroom Ballads was released in 1950. It contains folk songs  Brand  had been collecting for years. Here’s a description of the songs on Side one of the album!

 

The Kingston Trio and Chad Mitchell Trio are Added to My Vinyl Collection

Finally, I’ve added a handful of Kingston Trio and Chad Mitchell Trio  albums. When I buy Kingston Trio albums I always look for the ones  released when John Stewart was a member of the trio (1961-1967). John had a fine solo career after leaving the group. His album Willard is one of my favorites

Kingston Trio albums I’ve added to my vinyl collection….

 

A Chad Mitchell Trio

Basically, when I  look for Chad Mitchell Trio albums, I look for  ones, when John Denver was a member of the trio! Actually, the group was called The Mitchell Trio then because Chad had left the Trio. Oh, I also have one Chad Mitchell Trio album with Jim McGuinn was in the Trio. Before he became Roger McGuinn of The Byrds! You can listen to The Chad Mitchell Trio here

The Chad Mitchell Trio was more political than The Kingston Trio. Here is one of their albums I picked up in 2023.

The title The Slightly Irreverent Mitchell Trio may have given the game away! The  album includes two songs that are among my all time favorites. Tom Paxton’s “I Can’t Help But Wonder Where I’m Bound” and Phil Och’s “Draft Dodger Rag”. Both were recorded before Paxton and Ochs recorded them! It was daring stuff! Here’s

…..The version of “Draft Dodger Rag,” which appeared almost a year before composer Phil Ochs’ first release, is fantastic and sung with gusto. This was daring stuff indeed for 1964, and it shows that the Mitchell Trio were keeping tabs on new songwriters at the same time as they mined the traditional folk songbooks. Their beautiful cover of Tom Paxton’s “I Can’t Help But Wonder” also came out before the songwriter’s own debut album, and it’s one of the best cuts here.  More at AllMusic

Final Note to Self……

Keep looking for Folk music released during the  1960s Folk Revival. Maybe you’ll find some Dave Van Ronk, Fred Neil, Eric Von Schmidt or some Pete Seeger! Until then you can always listen on Spotify.

And for you folks, here’s a Spotify playlist from the above mentioned folkies I’ll be searching for!

Coco Montoya at his Best on Writing on the Wall

Writing on the Wall - Coco Montoya

It always amazes me that at one point in John Mayall’s storied career, both Walter Trout and Coco Montoya were Bluesbreakers ! (Watch Them  Here) Throughout the years, I listened to more music from Walter than Coco. However, Coco is closing the gap based on his last three  albums. And while I admit to not having heard all of Coco’s albums, his recent release  Writing on the Wall may be my favorite.

About Writing on the Wall

Throughout Writing on the Wall Montoya’s vocals are as strong as his impeccable guitar playing. Additionally, the album is the first to feature Coco’s touring band.

Writing on the Wall is the second  Coco Montoya album Grammy Award-winner Tony Braunagel (Bonnie Raitt, Taj Mahal) has.produced. In addition, Tony provides drums on four tracks. The band’s keyboardist  Jeff Paris (Keb’ Mo’, Bill Withers).co-produced and recorded at Jeff’s Garage. Other members of the band include bassist Nathan Brown and drummer Rena Beavers.

Musicians joining Coco and the band on the album include: guitarists Ronnie Baker Brooks, country star Lee Roy Parnell, and Dave Steen.

Of the 13 tunes that comprise the album five were  composed or co-written by Montoya. Steen wrote four and Paris one. All three together they co-wrote the title track .

The Bottom Line

The following quote found at the top of Coco’s biography on his website pretty much sums up Coco’s music:

“Blistering contemporary blues…piercing attack, funky, shivery guitar tones and aggressive, soulful vocals” -Blues Revue

While the following advice from Albert Collins seems to be taken to heart on Writing on the Wall...

’Just play what you feel, be real about it, and enjoy yourself.’ That’s what Albert Collins taught me,” 

It seems that bringing in his touring band to create this album has been a real success and produced one of Coco’s best if not the best albums. From the start of his solo career Montoya has incorporated the  lessons he learned from his mentors, both the iconic Collins (for whom he originally drummed), and UK legend John Mayall,

His first solo album in 1995 won him the Blues Music Award for Best New Artist. And from that point forward Montoya has been one of the top blues artists in the world. But he hasn’t rested on his laurals, but continues to find new ways to improve his music! And sharing the songwriting with his band along with the top-notch producing of Tony Braunage in the creation of Writing On The Wall  have  done just that!

The bottom line is Writing on the Wall is an A+, so Check It Out!  AllMusic writes the following about Coco and I totally agree!

“One of the most prodigious and gifted electric bluesmen on the planet…a deeply soulful singer and incendiary guitarist [with] a seemingly endless penchant for invention.” –AllMusic

Links  for the Further Exploration of the Music of Coco Montoya

CocoMontoya.com
CocoMontoyaBand.com
Facebook
Bandcamp
Amazon

Here’s the title track “Writing on the Wall

Nick Schnebelen – What Key is Trouble In? Powers a Great Run

Nick Schnebelen - What Key Is Trouble In? Cover
Ok so I have been moving forward in many ways and also feeling my age (71) in others. I have been moving forward in my battle with my ADHD, as I try to do more thing that I’ve thought about doing. While doing others when I think about them, rather than putting them off ! And so far it’s working! One of those things I didn’t  put off was this morning’s run!

The Run

I’ve been running on a regular basis over the last few months. Today I was torn between a 3.1 and a 4 mile run. I chose the 3.1 mile option. In addition I told myself I needed to take it easy.

Even though I thought I was taking it easy, my time for the first mile was 11:30. Ok so I thought I’ll take it easy through the rest of the run.

However, my pace hovered around 11:30 and I was running fairly comfortably over mile two. subsequently, I ran that mile in 11:26. I thought can I finish with an average pace less than 11:25 which would be my fastest time for the year!

I ran the last mile in 11:21! And with an old man sprint of 9:52 pace over the last .12 miles of the run, I finished with an average pace of (drumroll please!) 11:22 min/mile! Yeah me!

The Nerdy Details

Total Dist: 3.12 miles Time  35:28. Pace: 11:22 min/mile

Splits

Mile 1 11:31 Mile 2: 11: 27 Mile 3 11:21 Mile 0.12 9:52

Avg HR 145 Max HR 161 Cals Burned: 370 Cals

All in All a great morning!

The Soundtrack – What Key is Trouble In?  -Nick Schnebelen

What Key is Trouble in? has been in my music rotation for a while now and it may be my favorite blues album for 2023.

Nick Schnebelen is a multiple Blues Music Award Winner. Nick joined the elite of the blues community in 2008 as a founding member of the Kansas City band Trampled Under Foot.
Nick and His siblings Danielle and Kris, overwhelmed the competition to win that year’s
International Blues Challenge. Nick won the Albert King Award for “Best
Guitarist”. While the band later won the “Contemporary Blues Album” Blues Music Award.

In 2014 Nick left the band. What Key is Trouble In? is his fourth solo album. The album is comprised of 13 original blues rock  tracks that showcase Nick’s great guitar work.

His band mates include Adam Hagerman (drums), Cliff Moore (bass), Red Young (keyboards), Buddy Leach (saxophone), Aaron Mayfield (organ).

The album was co-produced by Chris Hardwick.

Links for the Further Exploration of the Music of Nick Schnebelen

Artist’s Website
Facebook
Twitter
YouTube
Amazon

Here is Nick and his band performing “Ten Years After, Fifty Years Later” the opening track of What Key is Trouble In? 

 

Paul Siebel – Looking Back Woodsmoke and Oranges

 

Discovering Paul Siebel

Continuing with yesterday‘s thread on the Facebook Record Collectors Group, I have Paul Siebel‘s album Woodsmoke & Oranges spinning on my turntable tonight. I bought the album, when it first came out in 1970, based on the glowing review about the album I read in some music magazine. Additionally I may have been convinced to buy the album, when I saw that the following musicians played in the album…

…. guitarist David Bromberg, violinist Richard Greene, and steel guitarist Weldon Myrick –

Paul Siebel was part of the Greenwich Village folk scene in the mid to late 60s. At Wikipedia I found the following….

An article in The New York Times on February 14, 1970, written by Mike Jahn, described Siebel as “a folk singer with a country and Western bias … a 32‐year‐old native of Buffalo and musically a product of the Greenwich Village folk scene” and said that he “sings in high nasal and hillbilly manner, rather like Bob Dylan’s singing in his early days”, referring to his songs as “uncomplicatdiscographyed country and folk songs, with occasional thoughts about such things as suburban living and raising children”.

Paul Siebel’s Discography MinimaI but Impactful……

Paul Siebel only released two albums Woodsmoke & Oranges and Jack -Knife Gypsy. But several of the songs from those albums have been covered by….

….among others, Bromberg, Willy DeVille, Linda Ronstadt, Bonnie Raitt, Jerry Jeff Walker, Kate Wolf, Mary McCaslin, Emmylou Harris, Waylon Jennings, The Flying Burrito Brothers, Rick Roberts and Leo Kottke.

Jerry Jeff Covers Three Favorites

Over the years Jerry Jeff Walker has covered my three favorite songs from the album. They are: “Louise”, “Long Afternoons” and “Then Came the Children”

Sadly, After 1971, his songwriting production stopped. Siebel became depressed and developed drug problems. He passed  away in 2022.

The Playlist

Now  l could just play any of my three favorite songs from Woodsmoke & Oranges but here’s those three songs from both Paul and Jerry Jeff Walker! Enjoy I know I will…..

 

Jimmie Spheeris – Isle of View : Looking Back

The Post Request….

Ok so today on the Record Collectors Facebook  Group a member asked people to dig into their collection and post an album that is  unknown and/or obscure. Well, I have many vinyl albums that fit that description! And many more CDs that do also!

However the album I decided to listen to and write about is the debut album from singer-songwriter Jimmie Spheeris Isle  of View. (Say it three or more times fast). Anyway the album has been one of my favorite quiet night albums since I bought in in the early 70s! However, I think Jimmie’s music has largely been forgotten because his career was cut short by a tragic accident.

\The Tragic Accident

From Wikipedia…

Spheeris died at the age of 34 in Santa Monica, California, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.

About Jimmie Spheeris

From Wikipedia….

Jimmie Spheeris (November 5, 1949 – July 4, 1984) was an American singer-songwriter who released four albums in the 1970s on the Columbia Records and Epic Records labels.

Spheeris primarily composed on the guitar and piano. His musical genre was generally in the folk music and singer-songwriter traditions, although later work explored jazz, rock music, jazz-rock fusion and new wave music.

With few exceptions, Spheeris’ guitar compositions employed the use of open tunings, also referred to as alternate tunings. Johnny Pierce (November 30, 1953 – December 12, 2005), worked with Spheeris as a recording session and touring artist from 1973 to 1980, and wrote extensive guitar tablature regarding the tunings Spheeris used throughout his career.[6]

Spheeris’ vocal range was primarily baritone and tenor, with occasional falsetto flourishes. His voice is most often described by music critics and fans as “soulful,” “sultry,” or “smoky.” (Read More)

Artist Website
Discogs
Wikipedia
AllMusic

The Video

Without a doubt my favorite Jimmie Spheeris song – “I am the Mercury”

 

Stillhouse Junkies – Small Towns

Since this week’s theme is “It’s been a long time”, the first Roots Music charts I looked at this week we’re the Folk and Bluegrass Charts. Those charts along with the Folk DJ and Euro-Americana charts were where I found most of the new music I liked. However over the last several years, I have listened to more Blues, Jazz and New Age music. One of the reasons is many of my favorite artists including; Jerry Jeff Walker, Guy Clark, John Prine, Leonard Cohen and Jesse Winchester have passed away and I can’t seem to find replacements for them.

Anyway, in the early part of this week I gave several albums the 30-45 second test and came up with a few albums to explore in more depth. And some  that will be in my music rotation for a while. The first album I’m going to write about is Small Towns the latest release from Stillhouse Junkies. Currently, the album sits at number 3 on the chart.  Since I had never heard of the band I had to do a little exploring, Here’s what I found!

Stillhouse Junkies

About Stillhouse Junkies

The band was formed in a distillery in Durango, CO and have garnered a good deal of notoriety. They were named a 2021 IBMA Momentum Band of the Year, Additionally they have been a two-time Telluride Bluegrass band contest finalists. As well as, Grey Fox Bluegrass Festival showcase artist and 2020 & 2021 IBMA World of Bluegrass showcase artists. Not bad for just starting out,

eh?

Stillhouse Junkies is comprised of three very talented musicians and songwriters. As such they share both lead vocal and songwriting duties. The three band members are fiddler Alissa  Wolf, bassist Cody Tinnin and and quitarist, banjo and mandolin picker Fred Kodak. Together, according to their website, they play a “delirious, head-spinning mixture of original roots, blues, funk, swing, and bluegrass music.” Again from their biography>>>>

 the Junkies conjure a wide range of tonal landscapes that pay tribute to the iconic sounds of Gillian Welch, the Allman Brothers, Tim O’Brien, the Wood Brothers, John Hiatt, and countless others while breaking new musical ground with their genre-bending original material.

The Bottom Line

I’ve only listened to Small Towns a few times but each time I listen to the album I discover something new. On the first listen the first thing that caught my attention was Alissa’s fine fiddling and Cody;s bass. However, on subsequent listens Ive heard some good picking from Fred!

Favorite tracks right now are “River of the Lost Souls” and “Colorado Bound”. I do think though as I listen to more songs several more may become favorites! So Check It Out!

However, don’t just take my word to it! Here’s what some others say about Stillhouse Junkies

Listeners can expect a riveting ride through the terrain Stillhouse Junkies bring to life in their music, and a confirmation of why the group was voted the 2021 IBMA Momentum Band of the Year. — No Depression

Stillhouse Junkies make a mighty big joyful noise for a trio!  There is some really fine pickin’ and songwritin’ within. That riff from the title cut, ‘Hillbilly Poetry’, especially grabbed my ear.  Y’all really need to check them out.

— Becky Buller, The Becky Buller Band

Here’s one of my favorite tracks on Small Towns “Colorado Bound”

 

Links for the Further Exploration of the Stillhouse Junkies

Artist’s website
Facebook
Instagram
Amazon

Tom Paxton – Jennifer and Kate Hits Home!

 

Comedian and Angrels - Tom Paxton

When I first started  blogging one of the first things I read said to write about what you know. Well I know a lot about things like the soils and geology of New Jersey and the design and operation of septic systems but I don’t think that will interest many people. So I guess I have to continue to write about books and music. Now many times I write about the new music I’m just discovering, not music I know. Well, tonight I’ll write about some music that I DO know that is the music of Tom Paxton.

I have been listening to Tom‘s songs since the late 1960s. Tom‘s songs have made me laugh, cry and every other emotion you can feel.

Tom Paxton – Comedians and Angels

Tonight as I was listening to his album Comedians and Angels I heard one of those songs that tugs at your heartstrings, “Jennifer and Kate“ written about his daughters. Many years ago, I saw Tom live at Thr Concert Under the Strs Series in Lower MArion Township, PA. I asked Tom “How old are Jennifer and Katy? His simple reply was “you don’t want to know! ( I odn’t like to think of my “Little girl as bring the age she is now either)

Tom‘s song “Jennifer Rabbit“ written for his eldest daughter was the opening track on his 1968 album Morning Again. Five years later  Tom was compelled to write a song for his second daughter Kate. The song aptly titled “Katy“ appears on his album New Songs for Old Friends released in 1973.

Thoughts About Jennifer  and Kate

Fast forward 35 years to 2008 and the final song of this trilogy “Jennifer and Kate” reflects on the lives of each of his little girls now grown.

The chorus of the song goes….

I see their mother in the way
They love this family
They give this family the love
Their mother gives to me

Their mother Midge Cummings and Tom Paxton were married in 1963. So they had been married 45 years by the time Tom wrote this song. They would make it to 51 years. Midge passed away in that year after a long illness.’

And while the chorus rings true. It’s the first and last stanzas that get to me, mainly because I see myself in the first four lines.

There is this thing about fathers:
They live in their own zone
They tell you, “Hi! How are you?”
And they hand your mom the phone
At things like sharing feelings
Let’s admit, they are not great
But the lucky ones have daughters like My Jennifer and Kate
And their fathers thanks his angels for His Jennifer and Kate

or their Elizabeth’s,Nicks, Andrews and Peters (boys can be angels, too.)

Links and Listens

 

Catching Up and an LP Haul from The Princeton Record Exchange

So once again I must confess to not wrting many new posts. One of my excuses is I am still trying to fully recover from the ankle sprain that occurred on my May 28th run! In order to facilitate that recovery, for the last several weeks I’ve been going to Physical Theraphy twice a week. Additionally, I’ve been working more at Target.Finally, last week in an attempt to get myself to write more I bought a new laptop.

Only I shopped price and bought an HP Chromebook. And while it works fine for using the Internet, which means it works well for most of my uses. It doesn’t play nicely with my iTunes music library. Now because not all of my music was recorded by iTunes and moved right into iTunes my albums and recording are located in various folders on various storage devices! So what I’ve beem doing is relocating them to devices where I know what I have and where they are located! I actually bought a 256 GB microSD card that I think will hold my whole library.

In the midst of all this my wife did make a trip to the NJ State Archives in Trenton on Wednesday of this week, That means that I get to head further north and visit The Princetion Record Exchange! Now because I’m still dont know how to rip CDs using the Chromebook, I only bought vinyl albums, which is actually what I wanted to buy anyway.

My LP Haul from The Princeton Record Exchange

Jazz

Master of the Art – Woody Shaw

I confess I didn’t know anything about Woody Shaw until I started to listen to more jazz in the middle 2010s. I only gave this album a quick listen but I likes what I heard…..from AllMusic

Master of the Art is the studio companion to the album Night Music, also reissued on Wounded Bird records from the original Elektra Musician masters, with the same band as on the live date, but with completely different songs and a short interview from the trumpeter. At a time when Shaw was one of the most consistently brilliant trumpeter’s of the modern era, this effort did nothing to hurt that estimable reputation.

Vibraphonist Bobby Hutcherson and trombonist Steve Turre being on the front line made for an arresting sound, while the emerging pianist Mulgrew Miller was asserting himself as a major force, with drummer Stafford James and drummer Tony Reedus sounding like they had worked together for decades Read more at AllMusic

High Energy – Freddie Hubbard

Now Freddie Hubbard is someone I have know for longer and at least one cassette tape is in my collection. Again after a listen last night I liked what I heard.. The first time I heard Ernie Watts he was playing with John Mayall in the early 1970 from AllMusic….

One of Freddie Hubbard’s few decent efforts during his very commercial period with Columbia, this LP found his quintet (with tenor-saxophonist Junior Cook and keyboardist George Cables) joined by a small orchestra and a string section on a set of potentially dismal material….The leader/trumpeter is in good form and there is solo space given to Ernie Watts (on bass flute, soprano and flute) and tenorman Pete Christlieb…. Read More at AllMusic

Rough House Blues – Lou Donaldson

Like Woody Shaw I didnt know a lot about Lou Donaldson until several years ago, I really like hus album Alligator Bogaloo. I listened to this album as I was writing this post and I think I may like it the most of any of the albums I bought ! While AllMusic gave the album thee stars they didn’t have much to say about it…..

Best and most ambitious of mid-60s Argo albums. Oliver Nelson supplied the arrangements for this nine-piece band.

I am familiar with the work of Oliver Nelson through his work with Wes Montgomery in the 1960s. You cant go wrong iif he’s doing the arranging!

The Milt Jackson Big 4 at the Montreux Jazz Festival 1975 – Milt Jackson, Oscar Peterson, Niels Pederson and Mickey Roker.

Sadly, I discovered that I already have this album in my music library. But I say you can never have too much Milt Jackson….the presence of Oscar Peterson on the album made it a no-brainer when I saw it, From AllMusic,,,,,

This is the only album of my haul that got 4 stars from AllMusic,,,,,,

Vibraphonist Milt Jackson teams up with pianist Oscar Peterson, bassist Niels Pedersen and drummer Mickey Roker for this particularly appealing set. There are many exciting performances (particularly Blue Mitchell’s “Funji Mama,” “Speed Ball” and “Mack the Knife”) and some emotional ballad statements (“Everything Must Change” and “Like Someone like Love”). Bags and O.P. always bring out the best in each other and this well-conceived set is no exception. Read More at AllMusic

Folk

Today is the Highway – Eric Andersen

I bought my first Eric Andersen album Blue River in the early 1970s when it came out. I know that I went out and bought some of his prior albums quickly thereafter, However, I never bought this one. He’s had a strange career he spent most of the later 70s  through the 1980s in Europe, He reemerged in 1989 with a new album, Ghosts Upon the Road. Since 1998 he’s been very active producing a numnber of outstanding albums.  From AllMusic

Andersen’s debut album presented him playing in a folkie style that was just starting to become passé upon its release in 1965. It’s an inoffensive set of originals (except for a cover of “Baby Please Don’t Go”) in the early-’60s Greenwich Village style, accompanied only by his own guitar and harmonica (and, on two songs, by Debby Green on second guitar).  Read More at AllMusic

Eric’s Website

Here‘s a baker‘s dozen playlist with random tracks for each album with the exception of The Milt Jackson Big 4…. I did include as the thirteenth track …. „On Green Dolphin Street“ by Milt and Oscar!